I tried to rip one of the other films a couple days ago and it also failed about half-way through (the same film as I ripped last year, but with a different, newer Blu Ray disc that I hadn't used before). I think it's worth noting that last year, I was able to rip the other Star Wars Blu Rays (which are also over 25 GB) without many issues. It was mentioned that sometimes drives can't shift the focus between different layers, and I suppose this points to that. These errors can be reproduced as well - replaying different scenes will also replay the same visual errors in the same manner every time. After that, it runs into a variety of issues: the film freezing while the timer continues forward, the film having extreme visual glitches, and parts of the film are played sped up. I tried watching the movie for the first time (first time from the Blu Ray, that is), and it works fine until about half-way through (which is where MakeMKV starts encountering errors). I have some more information about these issues if it helps lead to any answers. Which I guess could mean it's a physical defect in the disk.? You would have issues with any disk that had more than 25GB on it, though.Īlright, thanks a lot for the info! Maybe I'll see if I can try another disc some other time.Įdit - Also tried to just do a backup as suggested by Woodstock in a different thread, and it also failed at offset 19133165568. Any BD bigger than 25GB has a second layer, and the switch between layers would be at the same place on all copies. One common drive failure is the laser not being able to shift focus between layers on a multi-layer disk. And a hardware error would usually show up on other disks, too. None of my BD players could the error didn't seem to like blue light lasers.īut that's really "I heard a cousin of Bobby Joe's sister's best friend's boyfriend had it happen" rare.ĭirty disks (that processing "haze" I'm seeing more and more often) usually do NOT fail in the same place on multiple copies. Two separate purchases AND the Netflix copy of the disk failed on the same file, same location, until I found a particular DVD player that could read it. I ran into it with one disk of season 5 of Hercules. Woodstock wrote:It is entirely possible to have a manufacturing defect that affects all disks in a given lot. Hopefully there's enough information here for someone to try to offer some answer as to what might be wrong. It seems weird that both discs would be encountering issues at the same spot, but does that necessarily mean it's a hardware issue? I'm don't know much about the technical things, but it would seem strange for a hardware issue to coincidentally encounter the same errors - wouldn't it just have trouble at various parts and not necessarily the same parts? I've ripped other Blu Rays fine, usually getting around these types of errors after a few tries, though that was around a year ago. Most of the "fixes" seem to be cleaning the disc and then people say they got it to work, but so far it hasn't helped on either disc. I've also unchecked everything but the version I need (the first one which is the 800 one, not the 801 or 802 which are foreign versions) and I've left in the English forced subs (I think I read they're burned into the film anyways). I'll post what the log showed for them (only have the last few attmepts of the first disc):Įrror 'Scsi error - MEDIUM ERROR:L-EC UNCORRECTABLE ERROR' occurred while reading '/BDMV/STREAM/00153.m2ts' at offset '19133104128'Īttempt 2 (just listing the numbers for lines that are the same as the rest of the "Uncorrectable Error" lines):Įrror 'Scsi error - MEDIUM ERROR:NO SEEK COMPLETE' occurred while reading '/BDMV/STREAM/00153.m2ts' at offset '8430876672'Įrror 'Scsi error - MEDIUM ERROR:NO SEEK COMPLETE' occurred while reading '/BDMV/STREAM/00153.m2ts' at offset '8430901248Īnd for what it's worth, I currently have the preferences set to 20 times (for trying to get past an error I think?). I eventually tried a second disc, and I've tried it twice now (running it a third time now), also wiped it as well, but it's still having problems and they're in the same area as one of the problems of the previous disc. I did try wiping the disc off and cleaning it a little (wiped center-out), though it generally looked in good shape. I attempted the first disc about 6 or 7 times, and each time it seemed to encounter an error in roughly the same spot in one of two different parts. I've been trying to rip The Force Awakens last night and today, and I'm currently trying a second disc.
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Though, Paychex is still a worthy competitor. Overall, ADP RUN offers more robust features and HR support than Paychex Flex. Roll by ADP is another ADP payroll service designed for on-the-go small business owners wanting payroll software they can run from their mobile device.īelow we provide an in-depth look at each software service, including a comparison of features, pricing, available support and customer reviews to help you decide on the best fit for your business needs. However, ADP Run is not the only payroll software offered by ADP. This comparison will examine Paychex Flex and ADP Run, two small business-focused payroll software offerings. Both provide basic payroll and tax filing services, compliance expertise, 24/7 customer support and an all-in-one platform option that includes advanced HR management tools and services. ADP and Paychex are both well-established brands within the cloud-based payroll and human resources (HR) space. 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Please note - to choose the correct size for you, please measure your body as follows: We’ll show you how to make the most of all these features, and more. Beautifully designed and delightful to use.Fast, reliable, and free syncing between all devices.Best of breed versions for Mac, iPad, and iPhone.The simple-but-powerful quick entry popup on Mac.Drag-and-drop support on iPad and iOS 11.The calendar design for picking a due date when on iOS. Some of my favorite features in Things 3 include: There is so much to this app, you won't believe it. That’s why we use Things 3, and that’s why we want to help you learn Things and discover everything it’s capable of doing. And Things’ ability to handle vast amounts of tasks while keeping them in order with lists and notes is better than any other app I’ve used. I need a place to dump all the ideas, projects, and to-do items that come my way so I can happily live in the here-and-now rather than in the what’s-to-come. I don’t want a task management app for the sake of remembering something, but rather for the sake of forgetting it. Which means my brain is always thinking things through. The reason I’ve grown so fond of Things is that it helps me to set it and forget it.įor better or worse, I am a naturally organized person. Things 3 provides all the features you need to be more productive while still maintaining a simple interface that limits distractions so you can focus on accomplishing the task at hand. Things 3 is easy to use for the most basic of lists, yet powerful enough for the most ambitious and busy amongst us. This app is a perfect combination of powerful organization underneath a simple design. There are a lot - and I mean a lot - of options available in this golden age of getting stuff done.īut none of them have the same degree of polish and delight that you will find in Things 3.Ī few years back, Things 3 won the prestigious Apple Design Award. Things 3 is the Best Productivity and Task Management App It means you're swimming against the tide, not making any progress at all. Those people spend most of their day unable to get to the important work.Īnd frankly, that sucks.People everywhere feel overwhelmed with all the things they have to do.And guess what? The majority of people said busywork. We asked more than 2,000 people if their day is spent mostly on busywork or important work. 63% of people spend most of their time on busywork. It seems just about everyone is drowning in tasks (no pun intended). Clearly, as tasks build up, it can be a bit overwhelming. Some folks think they have a better chance racing against laser sharks than they do of setting up a good productivity system. Swimming the English Channel blindfolded.Setting up a system that balances your list of all the open things to do so you can know which ones are most important, which ones are the right ones to do next, and which ones are even worthwhile in the first place.Not only do you need to focus on the important things, you also can’t lose track of the little stuff which still needs to get done. Aside from the aforementioned chuckle-headed script, the acting in Point Break is maybe the most offensive thing of all. Where Core succeeds in cinematography, he outright fails as the overall director of the piece. Seen in 3D, there are some mighty impressive sights to behold, all filmed with elaborate flair from someone that obviously knows what he’s doing. There’s some praise to be had here, though, and that has to do with Core’s thrilling cinematography that takes audiences through mountains, waves, alpine slopes, and through the streets of its European locations. Making the film less about robberies and more about conservation of resources, it becomes a new age-y garbage dump of plot holes and extended action sequences that feel far too long. The film strays so far from its source material that I almost wished it had ditched the title and went on its own merry path, shrugging off obvious comparisons to certain touchstone elements of the original. Lines between right and wrong get blurred for a period until it disintegrates into a stilted chase picture that wants to fly but never takes wing. It brings him on a globe-trotting adventure where he forges a sort of kinship with the adrenaline junkies and their leader, Bodhi. Morphing from his extreme sports career to an FBI trainee in danger of being cut, Utah discovers a connection between a series of bank robberies and the test of the wills sort of vision quest he believes the burglars to be embarking upon.īefore you know it, Utah (remember, he’s not even a full FBI agent yet) is given carte blanche by his superior (Delroy Lindo, phoning it in like a pro) to cozy up to the men he believes are behind the daring swindles. Opening with a stunt sequence that changes the career course for extreme action star Johnny “Utah” (we learn Utah is his nickname, related to his Native American heritage…oy), it features an accident handled so awkwardly it’s hard to fathom how it winds up playing such a big part of Utah’s later mission with the FBI. It’s an abysmally conceived action film with hardly any action that winds up taking itself so seriously that you can’t help but laugh every time a character waxes poetic about nature and our place in the ecosystem of life. Moved from an intended summer release date to Christmas Day, instead of riding the wave to holiday thrills this remake is hanging ten on my worst of the year list. If only they had quit while they were ahead. Add in a script updated by Kurt Wimmer (who also delivered a new treatment for Total Recall in 2012), lock in some hunky but cheap talent, and decide to release it in 3D and call it a day. And I can imagine that the studio heads over at Warner Brothers cooed when they hired director Ericson Core to not only direct the film but serve as the cinematographer as well. The original wasn’t so much of a blockbuster that it felt untouchable and its slight cult status in the years following its release didn’t give off a feeling that a remake would be outright condemned. So yeah, I kind of get why a remake of Point Break looked somewhat appealing. That it was helmed by a female director (future Best Director Oscar winner Kathryn Bigelow) with more macho bravado than any five films directed by her male peers only made it more of an attractive property over the years, strangely fascinating with each subsequent viewing. It’s very much a product of its time and capitalized on what both stars brought to the table, the laid-back (nigh sleepy) performance of Reeves and the dangerous-but-I’d-still-like-to-be-his-friend vibe Swayze was great at delivering. Now, let’s not fool ourselves into thinking that that Keanu Reeves/Patrick Swayze led action film was any kind of classic. In retrospect, calling that early preview ‘kinda fun’ makes me shiver in my snowboots that I ever truly had faith that the 2015 Point Break could ever hold a candle to the original from 1991. Review: When the first trailer for this remake surfaced back in May, I went against the popular opinon that decried its very existence and said “here’s hoping the boys of summer bring some heat to the holidays.” Little did I know that the heat I was hoping for came in the form of pure fury. Stars: Édgar Ramírez, Luke Bracey, Teresa Palmer, Delroy Lindo, Ray Winstone “Point Break” is inspired by the classic 1991 hit. Synopsis: A young FBI agent infiltrates an extraordinary team of extreme sports athletes he suspects of masterminding a string of unprecedented, sophisticated corporate heists. You get to pick the topic and everything, but I wish there was more. I wish there was a bit more freedom to the trailers. I just wish it didn’t add it to my photos in general. You finish the movie, save to photos, then you can delete all the snippets from your photos. And I hate that! And to make it worse, when I delete them, I can’t watch that part I filmed in the movie cause I deleted it. I don't know if there is anything you can do about this, but whenever I record little snippets for a movie, they save to my photos. But, there are a few things that I wish would change. It’s a good and simple editing system that is really fun to use. *** 4K at 60 frames per second support requires iPod touch (7th generation), iPhone SE (2nd generation), iPhone 7, iPad (6th generation) or later, iPad mini (5th generation), iPad Air 3 or later, iPad Pro 10.5-inch or later ** External display support requires iPhone 7 or later, iPad (6th generation) or later, iPad Air 3 or later, iPad Pro 12.9-inch (2nd generation) or later * Requires iPhone XS or later, iPad mini (5th generation or later), iPad Air (3rd generation or later), iPad Pro 11-inch or iPad Pro 12.9-inch (3rd generation or later) Export videos optimized for Instagram, YouTube, and other popular video destinations.Save to your Photos library in resolutions up to 4K at 60 frames per second***.Connect an external display to your iPhone or iPad and choose to mirror the iMovie interface or display your video fullscreen while you edit**.Send projects to your Mac via AirDrop or iCloud Drive to finish editing with iMovie or Final Cut Pro.
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Indeed, while some of these “crypto-native” projects that lack intrinsic value and use could reiterate or even exacerbate the same systemic inequities cities are trying to address, other more nascent and less well-known attempts that adopt a community-centered approach suggest alternative paths forward that could more thoughtfully tackle urban challenges through technology.ĭrawing from a combination of gray literature review, archival analysis, semi-structured interviews with founding teams of some selected projects, and digital ethnography of online activities, we have mapped a landscape of current projects in this field. Our investigation and evaluation will delve into cases that represent both top-down and community-oriented approaches, uncovering the potential benefits and pitfalls of combining Web3 technologies with the time-honored custom of community currency as place-based solutions to address urban challenges concerning public financing, local economic stimulation, and community engagement. In this paper, we will survey the recent landscape of community currencies powered by cryptocurrency and Web3 technologies. As we consider the possibilities of community currencies powered by crypto, we ask: Are they just a temporary fad that poses potential risks and little value, or do they hold the potential to truly offer a synergistic solution to the problems facing cities today? Could they digitally revolutionize the age-old practice of local community currency and elevate public purpose value and social impact? With a rich history rooted in times of economic turmoil, community currencies offer both inspiring success stories and cautionary tales of the challenges that lie ahead as cities navigate the evolving financial landscape. cities such as New York City, Jackson, Tampa Bay, Miami, and Austin made headlines by openly endorsing cryptocurrencies and embracing the idea of city-branded tokens in hopes of unlocking alternative ways of fundraising and boosting local economic growth during the crypto market’s heyday. Over the last two years, mayors from major U.S. In the wake of the pandemic, a resurgent interest in community currencies-now powered by blockchain and Web3 technologies-is reshaping the way cities approach local financing and engagement of their constituents. Although these community currencies have never become mainstream practice throughout history, they have repeatedly risen in popularity during times of economic crisis or instability. 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